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Poetry contest, pub crawl turn section of downtown into ‘Writers’ Block’  

  • appalachianplaces
  • 1 day ago
  • 7 min read
Participants in a poetry contest and pub crawl listen to poetry on the patio of Atlantic Ale House, a tap room in Johnson City, Tennessee. (Photos by Lacy Snapp)
Participants in a poetry contest and pub crawl listen to poetry on the patio of Atlantic Ale House, a tap room in Johnson City, Tennessee. (Photos by Lacy Snapp)

By Lacy Snapp 

 

Every October, poets from around the Tri-Cities region of East Tennessee gather on one of the first cool nights of fall to celebrate community, creativity, and craft beer. For the past five years, Atlantic Ale House, a tap room in downtown Johnson City with mostly outdoor-patio seating, has hosted the opening-ceremony toast of the Johnson City Poets Collective’s annual Poetry Contest and Pub Crawl. It’s an evening of new and old friends celebrating the local poetry scene with a mobile poetry reading and a stroll around downtown craft breweries and small businesses.  


Stella Rodenberg on the stage at Atlantic Ale House in Johnson City, Tennessee.
Stella Rodenberg on the stage at Atlantic Ale House in Johnson City, Tennessee.

Held this year on Oct. 9, the contest and pub crawl connected businesses Atlantic Ale House, Fischman Gallery/Lazy Lady Baking Co., and The Generalist with the words and wisdom of area writers. First-, second-, and third-place winners were Kate Bewley, Audrey Hanna, and Brittani Clifton. Their poems, “horsegirls,” “Ars Poetica,” and “Staring Contest” are published below this story.  

 

According to local rambler-map artist and poet Scott Honeycutt, events like the poetry contest and pub crawl are key contributors to the “Johnson City Renaissance,” an artistic revival and creative culture that Honeycutt likes to say is part of “The Appalachian Cosmic Boogie.” Coined by Honeycutt, the phrase “alludes to the curious mix of poetic talent and productivity that arose in the upper Tennessee valley during the late teens of this century,” he said. “The ACB is part of the larger Johnson City Renaissance — which includes visual art and music.”  

 

A Collective force 

 

Video of Johnson City Poets Collective Open Poetry Hoot at The Down Home in Johnson City. (Filmed and edited by Raleigh Cody,)

The Johnson City Poets Collective hosts monthly Open Poetry Hoots at The Down Home, an intimate listening room where some of the biggest names in American roots music, as well as local artists, have performed since 1976. One of

the longest-running music venues in the country, The Down Home is on West Main Street at the edge of the city’s downtown district and seats about 150 people. The room’s iconic rough sawn, angled-wood décor — unchanged since the establishment’s opening night — provides a warm backdrop for vocal performances of any genre. The public is invited to attend the Open Poetry Hoots, where anyone can sign up and read their original work. 


The Collective began as an active, competitive slam poetry group in the late 1990s — just as Johnson City was about to experience a boom of new businesses moving into its historic downtown. As part of the district’s eclectic local scene, the Collective’s membership has performed during festivals and events for more than two decades. The Open Hoots began in 2004, and the Collective formally organized and formed a board of directors in 2014.  

 


Nancy Fischman welcomes participants to Fischman Gallery in downtown Johnson City during the Oct. 9 poetry contest and pub crawl.
Nancy Fischman welcomes participants to Fischman Gallery in downtown Johnson City during the Oct. 9 poetry contest and pub crawl.

Helping to support today’s thriving mix of restaurants, breweries, retail boutiques and art galleries in Johnson City’s downtown is its next-door neighbor, East Tennessee State University. Jesse Graves, ETSU’s Poet-in-Residence (and co-editor of the Appalachian Places poetry section) said that when he arrived in Johnson City in 2009, the Open Hoot was one of his favorite finds. “To this day, I have never seen such an organic, diverse, and democratic poetry scene, where about half of the readers are students and faculty from the university, and half are from the community,” Graves said. “Part of the magic is that everyone is truly welcome on the stage of the legendary Down Home, and there is equal applause and enthusiasm for first-time readers and the ‘regular-regulars’ who are almost always present.” 

 

Running with the Crawl 

 

The Poets Collective board brainstormed the concept of a contest-based pub crawl in 2019 as a way for local poets to further engage with their community. The idea arose from three basic questions: 

 

1. How do we get more people writing poems?  

2. How can we tell the story that poetry is alive and well in this community?  

3. How can we have fun with poetry and support local businesses along the way?  


The answer to each question was to establish a yearly themed poetry contest that would celebrate finalists during a pub crawl between downtown craft beer breweries and tap rooms. 


Pub crawl participants move from the contest and crawl opening at Atlantic Ale House to the next location in downtown Johnson City.
Pub crawl participants move from the contest and crawl opening at Atlantic Ale House to the next location in downtown Johnson City.

The contest’s theme this year was “Obsession and Fascination.” Submissions needed to respond to the prompt: “We all have poetic obsessions that enchant us. Follow what fascinates you — the symbol, object, image, memory, etc., that haunts or inspires.” Past themes have included Fall, Creatures of the Night, Poetry of Place, and Transformation.  

 

Each poet is allowed to submit one poem with entries collected by a trio of volunteer judges in Appalachia. This year’s judges were Sappho Stanley, Susan O’Dell Underwood, and Brandon Bragg, a founding member of the Johnson City Poets Collective fondly known as the “Beer Poet.”  

 

The judges read through 37 entries from area poets ranging from published writers with multiple books to poets entering one of their creations for the first time. Author information for submissions is removed so that each poem is judged on equal footing. Each judge chooses 10 poems as contest finalists, creating a list of poems used to identify semi-finalists and finalists, and culminating with three final winners. A handful of honorary readers are chosen both from poets who submitted and people in the larger Johnson City poetry community.  


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Each year, the collective creates a sticker to celebrate the pub crawl and fundraise for the Collective’s operating budget. This year’s sticker was designed by Stella Rodenberg and features a Johnson City Poets Collective coat of arms. “I wanted the sticker to be a protective symbol: armor to guard the body, poetry to guard the heart,” Rodenberg said. “And, unicorns are just really cool.”  

 

Crawl this way 

 

Since 2020, Atlantic Ale House has been the gathering spot for the opening-ceremony toast and first round of readers. Three grand prizes include gift cards or small items donated by supporters and local businesses. Prize support this year came from the Poetry Society of Tennessee, The Generalist, Atlantic Ale House, and Groovy Grovers. Other prizes were sourced from local businesses such as Main Street Antiques, Shamrock Beverage and Tobacco Shop, The Moon Coffee and Tea House, and McKay’s Bookstore. Luna’s Woodcraft, a local woodworking business, provides handmade plaques for the winners each year using locally reclaimed barnwood.  


Pub Crawl participants enter Fischman Gallery and Lazy Lady Baking Co.
Pub Crawl participants enter Fischman Gallery and Lazy Lady Baking Co.

 Leaving Atlantic Ale House, the group crawled across Kings Common Park to Fischman Gallery and Lazy Lady Baking Co. The second round of readers performed poems at the gallery among “The Beauty of Color,” the gallery’s October art exhibit by Beverly Thomas Jenkins. At the peak of the night, the pub crawl had over 70 people.  

 

At The Generalist — a retail hub for area creators, vendors and artistic entrepreneurs — the night concluded with the awarding of prizes, an event eagerly awaited by attendees. Before each prize was announced, the crowd provided light-hearted leg-slap drumrolls to build suspense.  


From left, Brittani Clifton, Audrey Hanna, and Kate Bewley are the third-, second-, and first-place winners in the Johnson City Poets Collective's 2025 poetry contest.
From left, Brittani Clifton, Audrey Hanna, and Kate Bewley are the third-, second-, and first-place winners in the Johnson City Poets Collective's 2025 poetry contest.

This year’s first-place winner, Kate Bewley, was awestruck when her poem “horsegirls” took home the top prize. She had never publicly shared her poetry, entered a poetry contest, or read her work aloud. Encouraged by a friend who thought the poem was a great fit for the contest theme, Bewley had entered her work in response to the friend’s question, “What’s the worst that could happen?”  

 

“It was a great honor and a sublime experience,” Bewley said. “‘horsegirls,’ at its core, bridges the gap between a younger self that didn’t understand the fad of being obsessed with horses, with a later return to the ecstatic joy one gets at a click of connection, both of finally seeing the wonder of the horses and, in turn, being seen.”  

 

Bewley is not the first contest entrant to see their latent flair for poetry recognized. Parker Guffey, a high school student at the time, won the top prize in 2023.  

 

The Johnson City Poets Collective’s motto is “Crafting Words. Creating Community. Igniting Creativity.” As Honeycutt often remarks during gatherings, “Our time together is not time taken away from my life, but time given back.”  

 

Lacy Snapp is a poet, professor, and woodworking artist in East Tennessee where she plans both university and community-based literary events. She is co-editor of the poetry section of Appalachian Places.   


For information about upcoming events and contests, follow the Johnson City Poets Collective on Facebook and Instragram. 

 

 

The winners:  

 

Kate Bewley 

First place  

 

horsegirls 

 

I used to not understand horsegirls 

with their braids 

and brushes 

and fresh folders they’d bring 

to the first day of school 

plastered with ponies and bubbly 

pink text that says “hay!” (spelled h-a-y) 

because, I guess, even horsegirls 

like a pun 

 

they loved horses, these girls; 

adored them with a reckless abandon 

that I at 9 years old 

had never experienced for myself 

 

“what do horses do?” 

 

I asked 

 

then, one day after I’d grown up 

and I was driving the rural back road 

to my parents’ house, I saw 

as if for the first time 

 

horses, 

two, together in a field 

watching as I approached 

 

and I couldn’t help 

but pull to a stop, 

transfixed by the serenity 

of their situation 

 

In that moment I felt 

with absolute clarity the spell 

these peculiar creatures cast 

on those horsegirls of my childhood 

 

Like they were dear old friends, 

waiting and knowing 

I was on my way 

and now that I’d arrived 

they could not wait 

to tell me everything 

 

Kate Bewley is a native Southern Appalachian whose studies and interests have led her from Maine to East Asia, alighting for several years of work in both the Pacific Northwest and Central Pennsylvania. In 2021, she helped start the independent bookstore Atlas Books in Johnson City. She fills her time curating new indie titles that focus on Appalachian literature, and obsessively maintains a New York Times crossword-solving streak. 

 

 

Audrey Hanna 

Second place 

 

Ars Poetica 

for John 

 

Reader, I seek 

a kind of alchemy that arrests 

momentum. Something to fall 

over me like his shadow as he tips 

my chin up to the sun. Believe 

I have tried not to make this 

about love, but there is no 

astonishment worth mentioning 

like his body next to mine 

on a drive home, in the 

bathroom mirror brushing 

our teeth, on the right side 

of the bed. Every dawn my 

world begins with knowing 

him. So I made it about love. 

I can’t help it. What else to do 

with meter and stanza than 

describe how he dizzies light? 

 

Audrey Hanna is a recent graduate from ETSU and member of the Bert C. Bach Fine & Performing Arts Scholars. Her work appears in Eunoia Review, Mudroom Magazine, Emerge Literary Journal, among others. She has also been featured in TEDxETSU and TEDxJohnson City events. When not writing, she enjoys making dinner with friends. 

 

 

Brittani Clifton 

Third place 

 

Staring Contest 

 

He calls our connection  

“gorgeously spooky”  

I call it  

“you have pulled me  

outside of myself”  

  

Out of body,  

I am writing letters to you  

in the steam after a bath,  

drawing hearts in the blush  

dust on the sinks—  

his and hers.  

My fingers catch the tangles  

in my hair, but the brush  

stays untouched.  

Keep me unkempt  

in this love.  

  

I have thought of  

the dimple on your left cheek  

every day since we met;  

what it might be like  

to be kept safe  

in that warm rift,  

and only rise to the occasion  

when the occasion is us.  

  

You are not a mirror,  

but the frame,  

bordering me ornately  

and holding me so still  

that I become  

crystalline.  

You’re not looking away,  

so I won’t either.  

 

Brittani Clifton owes her return to writing poetry to the simple yet effective secret of the Greats: going on long walks alone. After what seemed like a permanent and painful hiatus, she has found a home again in writing. She is intensely inspired by nature’s cyclical beauty, nostalgia, and animals.  

 

 

 

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